The Criterion Collection
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
The Daily
Mar 5, 2024 — Friends and admirers pay tribute to his rigorous scholarship, his boundless enthusiasm, and his warm generosity.
The Daily
Jun 9, 2021 — Critics welcome the big-screen version of Lin-Manuel Miranda’s hit musical as a celebration of the return of the movies.
The Daily
Jan 11, 2021 — Apted’s lasting legacy will be the Up series, one of the most moving and influential works of nonfiction ever made.
The Daily
Jun 15, 2020 — This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.
The Daily
Mar 26, 2020 — The director of Re-Animator (1985) who founded a theater company that launched plays by David Mamet was seventy-two.
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Production Notes
Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...
Aug 1, 2007 — Two towering figures of cinema died this week, and while we can all be grateful that they lived such long and fruitful lives, their departures were nevertheless profoundly saddening, and shocking in their coincidence. Look to your right at our...
Mar 19, 2007 — In 1945 Arthur Fellig, known as Weegee, a canny and gifted tabloid newspaper photographer, did something unprecedented: he assembled some of his best shots, of corpses and fires and arrests and crowds and spectacles, and made them into a book,...