A Girl Like Her

Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.

Dec 4, 2006 — William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.

Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.

Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.

Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.

Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.

Jun 5, 1995 — Kenji Mizoguchi departed abruptly from his earlier sentimental films into a world of acute realism with this bold critique of the position of women in contemporary Japanese society.

May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...

Feb 1, 1988 — Based on the novel by W.T. Burnett, this heist film set in a nameless midwestern city offered moviegoers in 1950 a new view of crime.