The Criterion Collection
Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...
Nov 2, 2009 — The following, written in 1986, is from the first treatment for Wings of Desire. And we, spectators always, everywhere,looking at, never out of, everything!—Rilke, “The Eighth Elegy” At first it’s not possible to describe anything beyond a wish or a...
Sep 3, 2007 — Ataxi, without a client in the car or anywhere else in sight, goes around Helsinki’s Senate Square, a place that resonates with history, having seen more patriotism, class struggle, and celebration than any other place in faraway Finland. It stood...
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.
The Daily
Jan 21, 2026 — New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.
The Daily
Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.
Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.
The Daily
Feb 26, 2024 — The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.
Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.