The Criterion Collection
Features
Mar 20, 2023 — The author of the novel Fiona and Jane looks back on a relationship that never quite solidified—and a future that never quite arrived—through the prism of Bi Gan’s Long Day’s Journey into Night.
Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.
The Daily
Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
The Daily
May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.
The Daily
Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.
Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.
The Daily
Mar 19, 2021 — We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.
Criterion Designs
Feb 13, 2021 — Ify Chiejina is a Nigerian American artist from Queens, New York, with a multifaceted process that incorporates drawing, painting, collage, and pattern design, resulting in a distinctive approach to portraiture. Her work speaks to themes of family, identity, and a...
Tech Corner
Oct 2, 2020 — The Lady Eve, from 1941, is my favorite of all of Preston Sturges’s comedies. I would wager to say that it’s Barbara Stanwyck’s best performance, though I also love her in Double Indemnity and Forty Guns. Heck, I love her in everything she’s in. But...