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Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.

Apr 17, 2008 — Judging from many of the reactions we get from viewers, there’s a gratifying sense of discovery that accompanies each new Eclipse release. That comes as little surprise to us, since that same feeling is as alive and well here in...

Apr 1, 2008 — As a generation of artists passes, the deaths often seem to come eerily close together, amplifying their individual achievements. In the past couple of weeks, we’ve lost The Naked City screenwriter Malvin Wald, then the incomparable Richard Widmark, and now...

Mar 17, 2008 — Francesco Rosi’s film is a painstakingly documented reconstruction of the nefarious relationships between the Mafia, banditry, and economic and political power in Sicily between 1943 and 1950.

Mar 17, 2008 — In its portrayal of the long international arm of crime families, Alberto Lattuada’s ingenious comedy offers a prescient look at globalization.

Mar 17, 2008 — During the Second World War, when Hiroshi Teshigahara was a schoolboy, Japan’s cities—above all his hometown, Tokyo—were mercilessly firebombed. He, and his future associates in countless artistic undertakings, returned to a landscape of bleak ruins. The adolescent Hiroshi was particularly...

Mar 11, 2008 — There’s no real rhyme or reason to explain which Criterion films I end up watching. For example, I saw Breathless over the holiday break after Abbey convinced me to give Godard a chance. Then I watched The Seventh Seal in...

Feb 25, 2008 — We’re getting a huge amount of mail about our edition of The Last Emperor, specifically about the aspect ratio, which is 2:1. Some people seem to believe that we’ve lost our minds, forsaken our mission, and taken it upon ourselves...

Feb 18, 2008 — At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .

Feb 18, 2008 — Actor and writer Linda Sandoval met Alex Cox in 1983, when her husband, Miguel Sandoval, was cast in Repo Man (she recalls that Cox phoned to say he had good news and bad news: the bad news was that Miguel...