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The Dyatlov Pass Incident

Final Cut

Production Notes

Jan 3, 2008 We’ve received a number of letters recently inquiring about the various versions of Bernardo Bertolucci’s The Last Emperor. I’ve been immersed in the film for several months now and wanted to clarify a few misconceptions. When I started working on...

Oct 12, 2007 From an interview with Ang Lee in the Northwest Asia Weekly: NWAW: Two years ago, you recorded an introduction for the Criterion Collection DVD of Ingmar Bergman’s The Virgin Spring, a film that had a tremendous impact on you as...

Sep 17, 2007 G. W. Pabst’s adaptation of the play by Bertolt Brecht transforms the original without betraying it, softening its cynicism with humanity and integrating elements of psychoanalysis.

Aug 20, 2007 Luis Buñuel’s only work to be devoted entirely to Catholic dogma itself examines the six primary mysteries of the faith and the objections (or heresies, depending on your view) they have inspired.

Jun 18, 2007 Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.

May 21, 2007 Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

May 21, 2007 In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...

May 21, 2007 “The Harry Lime Theme” has never gone out of print since its release, and it’s been recorded by over four hundred artists, from the Beatles to Guy Lombardo.

Feb 12, 2007 The trailblazing career of the extraordinary singer, actor, and activist was pivotal to the emergence of a black film aesthetic and, by extension, an African-American cultural identity.

Dec 4, 2006 A companion piece to Grey Gardens, this documentary stands on its own as a portrait of two women creatively passing the time as Rome burns.

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