The Criterion Collection
Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...
The Daily
Jul 9, 2024 — Both Columbia Pictures and Marcello Mastroianni turn 100 this year, and Locarno and Venice are set to celebrate.
Sep 2, 2016 — Returning for its first theatrical run in fifteen years, this ten-part meditation on the Ten Commandments centers on the residents of a housing complex in late-Communist Poland, charting the moral and philosophical dilemmas that arise as their lives intersect.
The Daily
Jun 15, 2017 — With Kino Lorber’s new restoration opening at the Metrograph in New York tomorrow, where it’ll be screening through Wednesday, and then playing at Cinefamily in Los Angeles from July 7 through 13, we begin with Alan Scherstuhl in the Village...
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
The Daily
Jun 30, 2017 — New York. The tenth edition of Films on the Green, a series of free screenings of French films in the city’s parks, is on through September 7. Jim Jarmusch is one of the ten filmmakers and artists who’s selected a...
The Daily
Mar 29, 2022 — The American Cinematheque in Los Angeles presents a dozen highlights from an astonishing career.
The Daily
Jul 7, 2023 — This week gives us a new Cinema Scope, an Ernst Lubitsch podcast, and an interview with John Woo.
The Daily
Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.
The Daily
Jun 12, 2025 — From Hitchcock to Kubrick, Star Wars to Twin Peaks, the selection ranges as wide as the film gauges.