The Criterion Collection
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
Jan 19, 2022 — Ryusuke Hamaguchi was born in 1978. He made his first major appearance on the global stage with Happy Hour, a 317-minute feature film that premiered at the Locarno International Film Festival and went on to win major awards at numerous...
Jan 12, 2022 — Gifted with the looks and suavity of a young Elvis, the “Wicked Game” crooner shares with David Lynch an obsession with 1950s Americana—and a knowledge of the darkness at its heart.
Dec 26, 2021 — As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.
Dec 13, 2021 — Chilean writer-director-producer Pablo Larraín’s features include Fuga (2006); Tony Manero (2008); Post Mortem (2010); No (2012), which won Best Film in the Directors’ Fortnight at the Cannes Film Festival and was nominated for the Best Foreign Language Film Academy Award;...
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
Nov 2, 2021 — Wendell B. Harris Jr. is an American independent filmmaker trained in drama at Interlochen and Juilliard. His family founded Prismatic Images, a multi-award-winning film/video/audio production facility in Flint, Michigan, in 1979.Harris spent three years crisscrossing the United States in order...
Essays
Oct 26, 2021 — Considered his first directly political film, Satyajit Ray’s 1960 masterpiece explores how the denial of self-knowledge, a void neither religion nor Western rationalism can fill, takes a toll on women in Indian society.
Essays
Oct 19, 2021 — The Academy Award–winning director remembers a formative and eye-opening encounter with Lynne Ramsay’s feature debut.
Essays
Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.