As director

May 9, 2018 — Under the Influence In 1988, David Simon was a journalist shadowing detectives at the Baltimore Police Department for his first book, Homicide: A Year on the Killing Streets. On midnight shifts, one of the sergeants would regularly screen movies for his squad,...

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.

Apr 21, 2018 — We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...

Apr 6, 2018 — The thirty-second edition of Il Cinema Ritrovato will run in Bologna from June 23 through July 1, and directors Gian Luca Farinelli, Mariann Lewinsky, Cecilia Cenciarelli, and Ehsan Khoshbakht have sent out a sneak peek of what’s in store: Portrait...

Apr 5, 2018 — Variety’s Elsa Keslassy broke the story yesterday, and now the Cannes Film Festival has confirmed it: Asghar Farhadi’s Everybody Knows with Penélope Cruz and Javier Bardem will open the seventy-first edition on May 8. Shot “in Spanish on the Iberian...

Apr 4, 2018 — On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.

Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...

Mar 29, 2018 — New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot on video for a low...

Mar 25, 2018 — Since our last roundup on new issues, two more publications have each put out another. The new March 2018 issue of Film Criticism opens with Julia Vassilieva’s essay on Andrey Zvyagintsev’s Leviathan (2014; image above). “While earlier discussions of the...