Jul 25, 2017 Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

Jul 24, 2017 “It seems, at first, like an impossible caper,” begins Jordan Hoffman, writing for the Guardian. “Can Steven Soderbergh bring something new to the heist genre after his outstanding Oceans trilogy? The answer, as always, is to have faith in the...

Jul 24, 2017 In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...

Jul 24, 2017 On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...

Jul 24, 2017 This month, the United Kingdom welcomes Criterion editions of two immersive masterworks of world cinema: Edward Yang’s 1991 coming-of-age epic A Brighter Summer Day and Andrei Tarkovsky’s 1979 metaphysical odyssey Stalker. Head over to Amazon to check out our full...

Jul 23, 2017 “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...

Jul 22, 2017 John Heard has passed away at the age of seventy-two, and both Deadline’s Denise Petski and Variety’s Pat Saperstein are claiming that he was best known as Peter McCallister, the father of Macaulay Culkin’s Kevin McCallister in the Home Alone...

Jul 21, 2017 The Venice International Film Festival has announced that Rosita (1923), “famed as the single collaboration between two of the giants of the silent screen, the director Ernst Lubitsch and the star Mary Pickford, is the film that has been chosen...

Jul 21, 2017 A landmark of mainstream queer cinema, Donna Deitch’s 1986 feature debut returns to theaters in a new restoration.

Jul 21, 2017 Tarkovsky lover Geoff Dyer discusses the visual and sonic elements of one of the most haunting sequences in Stalker.

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