The Criterion Collection
Apr 26, 2013 — Did You See This?• Max von Sydow goes to L.A. • The Game, for “real” • The Blob, for real • Style icons from Cary Grant to David Bowie • Get your Tilda on • Making it big in New...
Tech Corner
Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....
Apr 5, 2013 — Did You See This?• Words for the great Roger Ebert: Carson, Edelstein, Emerson • When Kenneth Turan met Burt Lancaster • Alain Delon’s effortless style • Watch Martin Scorsese’s eloquent speech this week at the Kennedy Center. • On illustrating...
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
Sneak Peeks
Mar 19, 2013 — A distinctive trait of the films of Terrence Malick is the artful way they employ narration. Sometimes the voice-over is dreamy (Sissy Spacek’s in Badlands), sometimes it’s disarmingly concrete (Linda Manz’s in Days of Heaven), sometimes it comprises audacious, poetic...
Sneak Peeks
Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...
Short Takes
Mar 6, 2013 — The great documentarian Allan King burst onto the scene in 1967 with Warrendale, a primal scream of a film set in an experimental Toronto home for emotionally disturbed children. With its fly-on-the-wall approach, this “actuality drama,” as King termed it,...
Short Takes
Dec 18, 2012 — With the stage musical Les Misérables coming to the big screen in one of Hollywood’s most anticipated releases of the holiday season, it seemed a good time to remind you about Raymond Bernard’s extraordinary 1934 cinematic adaptation of Victor Hugo’s...
Essays
Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...