The Criterion Collection
Sneak Peeks
Oct 17, 2013 — Christiane’s countenance is one of the most memorable in all of horror cinema—yet you barely get to see the real face of the actor playing her. Edith Scob is an ethereal force in Georges Franju’s Eyes Without a Face as...
Sep 20, 2013 — Did You See This?• J. Hoberman revisits Shock Corridor. • Watercoloring the movies • Donald Richie to be honored • Time Bandits’ journey to the screen • Adam Curtis’s documentary attack • Howard Hampton slacks off. • Agnès Varda then...
Sep 6, 2013 — Did You See This?• Praising the films of Howard Hawks and the folks who populate them • The gospel according to Alice Guy • Errol Flynn is back on the big screen. • James Franco dives into the murky depths...
Short Takes
Aug 7, 2013 — In 1958, in the midst of his most fecund cinematic period, Yasujiro Ozu made his first color film, the splendid Equinox Flower. Like so many of Ozu’s films, this poignant drama is about the subtly difficult emotional landscape navigated by...
Sneak Peeks
Jul 23, 2013 — The Oscar-winning Babette’s Feast has a cinematic flavor unlike any other film. Director Gabriel Axel invites viewers to swoon over the sensual and spiritual experience of the climactic meal as if they were eating it themselves. By the end of...
Jul 12, 2013 — Did You See This?• Movies and the art that inspired them • Explore the world of Pasolini. • A very Cool Chicago • The Dissolve has materialized. • Discussing the importance of Shoah • Dave Kehr matters. • Peter Bogdanovich...
Jul 5, 2013 — Did You See This?• Movies from sea to shining sea • J. Hoberman gets medieval. • Woody Allen can’t stop working. • The Saul Bellow cinema that never was • Monochrome movies are back. • Richard Brody is under the...
Jun 21, 2013 — Did You See This?• Lunching with Orson Welles • The doyenne of the New Queer Cinema is back. • Matt Zoller Seitz remembers James Gandolfini. • Television’s new golden age is a man’s world. • Kicking back with Dad •...
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.