The Criterion Collection
Sneak Peeks
Mar 6, 2014 — Jean-Luc Godard’s 1960 film Breathless not only launched the French New Wave and made the director’s name forever synonymous with French art cinema—it also made a star out of its leading man, the theretofore unknown Jean-Paul Belmondo. The following excerpt...
Production Notes
Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...
Features
Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.
Features
Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
In Theaters
Feb 27, 2014 — Repertory PicksThe visually spectacular Czech masterpiece Marketa Lazarová is coming to theaters in a new 35 mm print from Janus Films. This one-of-a-kind, savage, and strangely beautiful spectacle evokes the textures of medieval life as vividly and perhaps frighteningly as...
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.