Mollywood Times

Oct 27, 2022 — The director conjures fresh monsters in the horror anthology Cabinet of Curiosities and in the stop-motion animated Pinocchio.

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.

Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.

Sep 28, 2022 — Vicky Krieps stars in an irreverent reimagining of a year or so in the life of Empress Elisabeth of Austria.

Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.

Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.