The Criterion Collection
Sep 22, 2009 — A new era in popular music deserves a new era in filmmaking—that’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s concert film.
Essays
Sep 30, 1992 — The unprecedented popularity of this gender-bending sex farce inspired two sequels, a hit Broadway musical, and at least one transvestite nightclub.
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.