Look at Life

Mar 6, 2019 — Performances As Howard Hawks was preparing to make His Girl Friday, his 1940 version of the classic Ben Hecht and Charles MacArthur play The Front Page, he was determined not to repeat what he felt had been a problem with his earlier comedy Bringing Up...

Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.

Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.

Jan 4, 2019 — More than thirty years ago, a friend of Janus Films—the producer of I Was a Teenage Zombie—who knew of my interest in space exploration called me to say he had seen excerpts of a really cool film at DuArt, a lab...

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 14, 2018 — In this week’s round: Tarkovsky and Eisenstein, Godard and Varda, and one of the most consequential television programs of all time.

Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.

Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.

Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...