Jun 10, 2022 This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.

Jun 8, 2022 The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.

May 31, 2022 The jury gave awards to nearly half the competition, but some critical favorites missed out.

May 31, 2022 Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.

May 26, 2022 Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

May 25, 2022 Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 17, 2022 A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 9, 2022 Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.

May 5, 2022 Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

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