The Criterion Collection
The Daily
Oct 16, 2017 — J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...
The Daily
Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...
The Daily
Oct 3, 2017 — From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...
The Daily
Oct 3, 2017 — New York. Paul Schrader’s First Reformed (reviews from Venice and Toronto) has been added to the lineup of the ongoing New York Film Festival as a Special Event. There’ll be a single screening on Friday evening.Lucrecia Martel, whose Zama is part of the festival’s Main Slate,...
The Daily
Oct 2, 2017 — Vulture has polled more than forty working screenwriters—their names and credits are listed—to come up with an annotated list of the “100 Best Screenwriters of All Time.” David Edelstein’s written the entry on the legend who’s landed at the top,...
The Daily
Sep 29, 2017 — “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...
The Daily
Sep 25, 2017 — “During one of the meanest passages in American national politics within living memory,” writes Holland Carter in the New York Times, “we’re getting a huge, historically corrective, morale-raising cultural event, one that lasts four months and hits on many of...
The Daily
Sep 24, 2017 — For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...
The Daily
Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...
The Daily
Sep 7, 2017 — Joe Wright (Atonement) will direct Casey Affleck in Andrew Bovell’s adaptation of John Williams’s 1965 novel Stoner, reports Variety’s Justin Kroll. “The movie will follow the life of William Stoner, a dirt-poor farmer turned academic, who emerges as an unlikely...