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It’$ Only Money

Karlovy Vary 2023

The Daily

Jun 27, 2023 Along with revivals and fresh experimental work, the festival presents some of the best films of the year so far.

Jun 22, 2023 Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Jun 20, 2023 In their first collaboration, director Joseph Losey and screenwriter Harold Pinter explore the cultural fissures in modern England by dramatizing a kind of role-play in which no role is stable or easy to define.

History Lessons

The Daily

May 5, 2023 Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.

Apr 25, 2023 In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.

Mar 2, 2023 The Film Forum series spotlights Moreau’s close working relationships with Louis Malle, François Truffaut, Orson Welles, and Marguerite Duras.

Feb 28, 2023 One of the towering figures of postwar French literature, Marguerite Duras was also an innovative filmmaker whose rarefied cinematic style dared audiences to see less and listen more.

Feb 22, 2023 Siblings mourn the parents they’ve lost in new films from Dustin Guy Defa, Philippe Garrel, and Susana Nobre.

Jan 30, 2023 Celebrate Black History Month with a collection of films that survey African American history on-screen, a look at literary legend James Baldwin’s cinematic legacy, and a retrospective devoted to the independent trailblazer Oscar Micheaux.

Jan 10, 2023 In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

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