Follow

Jul 19, 2022 — Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.

Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.

Jul 14, 2022 — A quick overview of the latest news from Venice, Bologna, Marseille, and Sarajevo.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 13, 2022 — With a new book, an exhibition, and a film series, writer and curator Ekow Eshun celebrates Black speculative art and fiction.

Jul 11, 2022 — Three Iranian filmmakers are arrested while another wins the top award in Karlovy Vary.

Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.

Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.