The Criterion Collection
Jul 12, 2023 — The award-winning actor talks about training with Lee Strasberg, her involvement in the Actors Studio, and her on- and off-screen contributions to two of her most important films.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.
The Daily
May 17, 2023 — Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
Features
Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.
The Daily
Jul 23, 2021 — This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.
The Daily
Jul 7, 2021 — Cannes’ opening night film has thrilled some critics, disappointed others, and left a few simply confused.