Death Note

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Jun 7, 2024 — Standouts this week include conversations with Bridgett M. Davis and Nan Goldin and essays on Nobuhiko Obayashi and Paul Schrader.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.

May 8, 2024 — Thelma Schoonmaker brings Michael Powell’s Peeping Tom to the inaugural edition of JBFC Restored and Rediscovered.

Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.

Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.