The Criterion Collection
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...
Oct 24, 2017 — In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Feb 7, 2012 — La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...
Essays
Nov 22, 2011 — The title of Wes Anderson’s Rushmore refers to the ivy-covered prep school attended by the film’s central character, Max Fischer (Jason Schwartzman). Max, with his bushy eyebrows and imposing glasses, loves his school beyond reason and is Rushmore’s number one...
Jun 30, 2009 — With the fortieth anniversary of the first lunar landing nearly upon us (which we’re celebrating at Criterion with new DVD and Blu-ray special editions of the 1989 documentary For All Mankind), the brave men of the Apollo missions are once...
The Daily
Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.
The Daily
Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Aug 31, 2020 — Fans around the world remember an accomplished actor, a genuine movie star, and a generous role model.