The Criterion Collection
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
May 22, 2026 — This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.
The Daily
Jan 16, 2026 — Michael Almereyda and Radu Jude’s discussion of Eisenstein, Welles, and Godard is just one of this week’s highlights.
The Daily
Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.
The Daily
Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.
Essays
Jun 17, 2025 — Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.
The Daily
Jun 2, 2025 — More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.
The Daily
Mar 28, 2025 — The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.
The Daily
Dec 13, 2024 — The week’s offered fine writing on Elaine May, Robert Siodmak and Ella Raines, and Christopher Nolan’s turning-point movie.