Adaptation.

May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 16, 2022 — This month we’re reading about David Fincher, Sofia Coppola, Hong Sangsoo, and Werner Herzog.

May 13, 2022 — It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

May 10, 2022 — Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.

May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.

May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.

May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.

Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.

Apr 27, 2022 — Cannes sets its juries, Directors’ Fortnight selects its shorts, Locarno honors Laurie Anderson, and Sundance lines up a big London edition.