The Criterion Collection
The acclaimed band talks about Japanese films about family, the rock music in Beyond the Valley of the Dolls, and a festival viewing experience of Carnival of Souls.
The director of The Living End and The Doom Generation reminisces about writing papers on Bringing Up Baby in film school, defends one of David Lynch’s most polarizing masterpieces, and calls John Waters “the original godfather of everything.”
The director of One False Move and Devil in a Blue Dress talks about his love of Yasujiro Ozu, the exploration of crime in Pixote, the inspiration he took from Children of Paradise, and one of the greatest jazz films...
The writer, director, and actor talks about a parallel between The 400 Blows and his popular show It’s Always Sunny in Philadelphia, the inspiration he has taken from Being There, and his excitement about exploring the work of Agnès Varda.
The director of Beau Is Afraid talks about one of the best experiences he’s had in a movie theater, the inspiration he’s taken from Karel Zeman, and the possibility that Cure is “the greatest movie ever made.”
The director of Drive expresses his adoration of Andrei Tarkovsky, calls Quadrophenia the epitome of rock and roll, and remembers asking Elia Kazan for filmmaking advice.
The actor and director talks about the pleasures of watching Zazie dans le métro on a regular basis and his affinity for the films of Aki Kaurismäki.
The Oscar-nominated actor shines a spotlight on the allure of French star Béatrice Dalle, the riveting female characters in Uncut Gems, and the unbridled imagination in Jim Jarmusch’s films.
The legendary English director talks about discovering world cinema in his teenage years, the ways that Vivre sa vie gets to the “raw core of life,” the humor and politics in The Firemen’s Ball, and his experiences as a film...
The director of Drylongso talks about her fondness for Jean-Pierre Gorin, her love of To Sleep with Anger’s title sequence, and the influence of Sergei Parajanov on her own work.