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Nov 22, 2019 — Jean-Jacques Beineix’s vibrant art-house sensation Betty Blue (1986) introduced to the world, in twenty-one-year-old Béatrice Dalle, an extraordinary new acting talent. Fully inhabiting the warmth, sexiness, and increasingly violent self-destructiveness of the title character, whose stormy love affair with an...

Nov 17, 2019 — Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...

Nov 14, 2019 — Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.

Nov 8, 2019 — This weekend on the Criterion Channel, we’re presenting a case file on some of our favorite films about espionage, eavesdropping, and paranoia, as the eight-feature program Caught on Tape starts rolling on Sunday. From the analog surveillance of iconic seventies...

Oct 26, 2019 — With her resplendent early feature An Angel at My Table (1990), Jane Campion widened the scope of her storytelling, adapting the memoirs of New Zealand writer Janet Frame for a decades-spanning, convention-shattering biographical film. As it follows Frame from childhood...

Oct 23, 2019 — With 2002’s Frida, Julie Taymor brought her bold imagination to the dramatic life story of a singular artist: the iconic Mexican painter Frida Kahlo. Made just five years after she found staggering success on Broadway with The Lion King, Taymor’s...

Oct 18, 2019 — Art-House America Like a number of theaters featured in our Criterion Channel series Art-House America, the Loft Cinema once faced the threat of its doors closing permanently. Born in 1972, and originally based in a small space near the University of Arizona, this...

Oct 17, 2019 — Two series offer a wide range of thematic and historical perspectives on the Japanese capital.

Sep 17, 2019 — With his last completed film, the sly, suggestive comedy of manners Cluny Brown, Ernst Lubitsch brought to the screen one of the most irrepressible, irresistible Hollywood heroines of the forties. The niece of a plumber in a Britain on the...