The Other

Mar 5, 2010 — Congratulations to yesterday’s winners, Joe and Michael! Joe’s Hollywood-style tagline for Ikiru was: This summer: Death is only the beginning. And Michael’s, for Rashomon, was: He said. She said. He said. He said. March is Akira Kurosawa month at Criterion....

Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...

Oct 13, 2009 — This week marks the publication of Jonathan Lethem’s new novel, Chronic City, another captivating journey through mysterious New York with a host of peculiar characters (and a sci-fi twist), including a certain cinephile who finds his way into the offices of...

Sep 30, 2009 — Agnès Varda’s 1962 New Wave masterpiece Cléo from 5 to 7 has gotten a dramatic reinterpretation from Annie-B Parson and Paul Lazar, stage directors and founders of New York’s Big Dance Theater. Comme Toujours Here I Stand—which premiered in April...

Jan 5, 2009 — The National Society of Film Critics announced its 2008 awards this week, and Criterion won a special honor for the DVD release of White Dog. The esteemed organization, founded in 1966 and made up of the country’s leading film critics,...

Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.

Sep 3, 2007 — Jim Jarmusch is a difficult director because he works from the frontiers. What does it mean to be a “frontier” director in the film world today?It means a clear refusal, for ethical and aesthetic reasons, to be part of the...

Sep 3, 2007 — Iwas a cab driver once myself (in Los Angeles, in the mid-1970s), and I’ve been sensitive ever since to how the profession is portrayed on the screen. As it happened, I was driving a cab when Taxi Driver came out,...

Sep 3, 2007 — Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...

Oct 31, 2006 — The obvious question is: Why are we doing this? And the only answer is that it just seems like the right thing to do. The Criterion Collection is at an awkward age. By Variety and Hollywood Reporter standards, we’re not...