The Criterion Collection
Dec 14, 2009 — We were amazed at how many e-mails we received from people saying they already had twenty of the titles included in the new box set AK 100: 25 Films by Akira Kurosawa. A big thank-you to all who contacted us...
Dec 1, 2009 — Running a taut ninety-one minutes, this documentary about the Rolling Stones is a masterpiece of restraint and understatement.
Short Takes
Nov 10, 2009 — “If American independent cinema could be said to have a birthday, November 11 is as good a date to celebrate as any,” writes Elbert Ventura in a terrific new article in Slate. The occasion is the fortieth anniversary of the...
Short Takes
Oct 22, 2009 — Sheila Heti of the Believer had a chance to talk to Agnès Varda during the Toronto International Film Festival—or rather, a chance to be one of a group of reporters whom Varda, at the festival with her film The Beaches...
Sep 29, 2009 — It’s been six years since Jane Campion last directed a feature film, but her earthy, melancholy new Bright Star, about the romance between poet John Keats and his great love, Fanny Brawne, was well worth the wait. And now that...
Sep 22, 2009 — One enters any major film festival with hopes of discovering a budding auteur, a new voice from some previously unheard-from part of the world—a Julián Hernández or Corneliu Porumboiu or Bong Joon-ho. At this year’s Toronto International Film Festival, however,...
Sep 9, 2009 — For the second year in a row, the Criterion Collection is going into the Catskill Mountains to curate a weekend of cinema for All Tomorrow’s Parties New York. Now celebrating its tenth anniversary, ATP is a music festival that was...
Jul 16, 2009 — The venerable critic Andrew Sarris, now eighty-one years old, gets his due in a lovely profile in the New York Times by Michael Powell (no, not that one). This die-hard auteurist, who has contributed writing and been featured in on-screen...
May 21, 2009 — People just can’t get enough of The Red Shoes, judging by the buzz surrounding the new digital restoration of Powell and Pressburger’s Technicolor masterpiece, which premiered last week at the Cannes Film Festival. And the latest offering in the swirl...
May 11, 2009 — “It’s taken more than fifty years, but the world has finally caught up with [the] dark and cynical vision” of Billy Wilder’s chillingly black satire of the fourth estate, Ace in the Hole, A. O. Scott declares in a clever...