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The Man

Dec 4, 2008 With Ron Howard’s big-screen adaptation of Peter Morgan’s play Frost/Nixon opening today, the editors at New York magazine remind us that Frank Langella is hardly the first actor to get all jowly for the camera. They’ve put together a list...

Oct 31, 2007 After the mugginess of the New York City summer, and with the launch of the new Criterion web store and the New York Film Festival keeping us all plenty busy through the end of September, Western Australia was a breath...

Jul 25, 2005 Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.

Apr 26, 1999 At some point in their lives, probably every sleepless person has switched on the TV in the wee hours of a weekend morning and chanced upon a fishing show. Invariably, a beefy, half-forgotten retired athlete shares a boat with some...

Pulp Fiction

Essays

Jun 10, 1996 Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...

Oct 25, 1994 Jim McBride’s David Holzman’s Diary, made for less than $3000 over 5 days of principal photography, manages to be twenty years ahead of its time and perfectly of its time. Spiritual forebear to the contemporary low-budget American independent film movement...

Jun 24, 1990 Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...

Dec 18, 1989 When Tootsie opened in December, 1982, the ad copy read: “In the next 72 hours this desperate, unemployed actor will secretly audition for the female lead of a soap opera.”  That was the plot line to the movie even when...

Nov 19, 2014 While revisiting the films for their Criterion release, director Monte Hellman returned to shooting locations, many of which are now underwater; found and interviewed Calvin Johnson, the chief wrangler on both films; and discovered something new in a take of...

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