The Criterion Collection
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Oct 16, 2024 — This year’s special anniversary edition will open with Malcolm Washington’s August Wilson adaptation, The Piano Lesson.
The Daily
Mar 6, 2024 — Marlene Dietrich, Pietro Germi, Anatole Litvak: Il Cinema Ritrovato previews nine main programs.
The Daily
May 14, 2021 — The ten-episode adaptation of Colson Whitehead’s novel is a conscious “act of seeing.”
Criterion Designs
Jan 16, 2021 — Pedro Reyes is a Mexican artist of international renown whose conceptual, often sculptural works make use of unusual materials to imagine a better, more playful world. Over the course of his two-decade-plus career, he has married a keen social conscience with an innovative approach to solving social problems: his hands...
The Daily
Sep 28, 2020 — Having just won four top awards in San Sebastián, the Georgian director’s debut feature screens next week—virtually—at the NYFF.
May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...
Apr 16, 2019 — Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...
The Daily
Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.
The Daily
May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.
The Daily
Feb 2, 2018 — For nearly a decade now, the Big Ears Festival in Knoxville has been a low-key event of high significance to the world of music. Writing about the 2016 edition in the New York Times, Ben Ratliff noted that it “has...