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Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...

Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.

Sep 27, 2019 — This week, we’re pulling up from the archives landmark journals, behind-the-scenes photos, and movies from an unfairly maligned decade.

Sep 23, 2019 — Acclaimed filmmaker Rian Johnson has made a career out of retrofitting genres to his own imaginative specifications. After novel spins on the gumshoe neonoir (Brick) and the time-travel thriller (Looper), the writer-director launched into space—and won a much wider audience—with...

Sep 18, 2019 — Adam Sandler plays a jeweler addicted to risk in the brothers’ new exhilarating—and exhausting—new film.

Sep 13, 2019 — Lucrecia Martel, Annette Michelson, Satyajit Ray, and Joanna Hogg feature in this week’s round.

Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.

Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Sep 6, 2019 — This week we revisit the work of the late critic Gilberto Perez, novelist W. G. Sebald, and filmmakers Alice Guy Blaché, Wong Kar-wai, and Agnès Varda.

Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.