The Criterion Collection
Dec 21, 2017 — No one has captured the complexities of forbidden love with more intimacy than Celia Johnson in David Lean’s classic romance.
The Daily
Nov 13, 2017 — New York. “Largely terra incognita, West German cinema before Fassbinder was distinguished by films made by returning exiles, Fritz Lang and Robert Siodmak, as well as a number of strong, critical movies, some of them international hits, by Helmut Käutner, who began his career under...
The Daily
Nov 2, 2017 — In the Village Voice, Bilge Ebiri looks back to the day in 1992 when, as a college freshman, he dropped everything, skipped his classes, and took a train from New Haven to New York to see a movie: Orson Welles’s...
The Daily
Oct 31, 2017 — In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...
The Daily
Oct 19, 2017 — Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...
Essays
Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.
The Daily
Oct 3, 2017 — From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...
The Daily
Sep 20, 2017 — New York. “Like a modern character from Crete’s ancient Minoan culture, trailblazer artist Joan Jonas weaves symbols and media to transfigure feminist and psychological themes,” writes Mónica Savirón for BOMB. “Her work juxtaposes sculpture, painting, film, video, and performance as...
The Daily
Sep 11, 2017 — “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...
The Daily
Sep 10, 2017 — “Hirokazu Kore-eda is best known for intimate family dramas that overseas critics often compare to the work of Yasujiro Ozu (1903-63), the genre’s unquestioned master,” writes Mark Schilling, introducing his interview with the filmmaker for the Japan Times. “Kore-eda rejects...