The Criterion Collection
The Daily
Aug 9, 2018 — The Academy’s announced three changes it hopes will ward off encroaching irrelevance.
Feb 20, 2018 — Robert Rodriguez, Frank Darabont, and Guillermo del Toro discuss the groundbreaking casting of African American actor Duane Jones as the lead in Night of the Living Dead.
The Daily
Feb 5, 2018 — This year marks the 200th anniversary of the publication of Mary Shelley’s Frankenstein; or, The Modern Prometheus, the occasion for Jill Lepore’s outstanding piece in this week’s New Yorker: Frankenstein is four stories in one: an allegory, a fable, an...
The Daily
Sep 28, 2017 — “Every year around this time,” New York Film Festival director Kent Jones tells poet Peter Gizzi in BOMB, “I do a few interviews, and this question always comes up: what themes did you pursue? My answer is always the same:...
The Daily
Jul 14, 2017 — “There’s the story of RoboCop visiting his house where he’s already RoboCop and he finds out he was called Murphy before, and he finds out where he lived and there’s these kinds of feelings and flashbacks about his wife and...
Sneak Peeks
Jan 10, 2014 — It’s impossible to watch the unforgettable climax of Akira Kurosawa’s Throne of Blood and not wonder, How’d they do that? Spoilers ahead: In the scene, Toshiro Mifune’s ruthless warrior, modeled on Shakespeare’s Macbeth, finally gets his comeuppance in the form...
The only female director of the French New Wave, Agnès Varda has been called both the movement’s mother and its grandmother.
Short Takes
May 3, 2011 — The original title of my film was always Fat Girl, but since I am French and not at all bilingual, it was for reasons more mysterious than an anglicism. Of course, the little girl was fat, but the title also...
Criterion Designs
Jan 22, 2014 — When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...