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Jul 6, 2020 — Kore-eda’s first feature shot outside of Japan also gives us the first pairing of Catherine Deneuve and Juliette Binoche.

Jul 3, 2020 — One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...

Jul 2, 2020 — New issues of photogénie, Comparative Cinema, and SCMS+ take on an array of raging crises.

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...

Jun 29, 2020 — The new issue ranges from experimental nonfiction to a Pixar feature, from a ten-screen installation to Watchmen.

Jun 29, 2020 — Studio Visits While preparing to work on our epic box set celebrating cinema’s most internationally beloved martial artist, we knew we had to call on someone who could deliver a kick-ass cover image. Gian Galang, the man behind the illustrations in Bruce...

Jun 26, 2020 — This week’s history-seeped highlights explore queer cinema legacies, black stories on screen, and marketing movies while a pandemic rages.

Jun 23, 2020 — Recent translations include intimate remembrances of Chris Marker and Maurice Pialat.

Jun 19, 2020 — Along with Juneteenth and Pride Month viewing suggestions, we’re spotlighting interviews with Euzhan Palcy, Bill Forsyth, the Ross brothers, and more.