Too Much Too Often!

Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

Mar 26, 2024 — In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.

Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.