This Is the End

Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.

Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.

Dec 20, 2017 — Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...

Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.

Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.

Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.

May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.