The Criterion Collection
Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...
Jun 30, 2020 — A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...
In Theaters
Dec 22, 2016 — Repertory PicksIf you’re in Vancouver for the holidays, stop by the Cinematheque for the theatrical version of Ingmar Bergman’s Fanny and Alexander, which screens as part of the weeklong series Essential Cinema! Essential Big Screen! Seen through the eyes of...
Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Essays
Dec 12, 2012 — Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.
Feb 22, 2012 — Oren Moverman, who appears as a visitor to the theater in Vanya on 42nd Street, is the cowriter and director of the 2010 Oscar-nominated The Messenger. He served as a screenwriter on I’m Not There, Married Life, and Jesus’ Son,...
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
Nov 17, 2021 — Having won major prizes in Berlin and Cannes, the director has been talking openly about his background, influences, and working methods.