The Criterion Collection
Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
The Daily
Dec 19, 2023 — Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.
The Daily
Nov 20, 2023 — This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.
Features
Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...
The Daily
Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.
The Daily
Sep 20, 2023 — Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...
Jun 9, 2023 — One of Hollywood’s most beloved actors showed a turbulent, sometimes downright sinister side in his collaborations with director Anthony Mann, which include the classic westerns Winchester ’73 and The Man from Laramie.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.