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The Music Room

Feb 17, 2017 In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...

Oct 24, 2024 A hit at the New York Film Festival, the Mobile Closet heads to Brooklyn this weekend.

Mar 28, 2025 The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Aug 24, 2010 T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...

Mar 9, 2023 This year’s edition retains that SXSW signature mix of boldfaced crowd-pleasers and fresh discoveries.

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Sep 30, 2019 At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Jul 15, 2017 “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...

Oct 23, 2010 In 1945, a teenage Stanley Kubrick was given a job as staff photographer at Look magazine, where he published more than nine hundred striking images, most of them in the realist style of New York School street photography. By the...

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