The Criterion Collection
Interviews
Jun 22, 2011 — Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
May 12, 2016 — When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.
Aug 24, 2009 — Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
The Daily
May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.
The Daily
Apr 27, 2023 — The critic and filmmaker has put together a series that celebrates “a New York of the collective imagination.”
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
The Daily
Sep 1, 2021 — New films by Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Paul Schrader, and Paolo Sorrentino are set to premiere in competition.