Rai

Mar 25, 2020 — As the Austin festival announces its award winners, many are wondering whether the entire festival circuit will be going online.

Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...

Mar 23, 2020 — The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.

Mar 18, 2020 — People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...

Mar 17, 2020 — The economic impact of the coronavirus crisis is immediate and harsh, but the lessons to be learned have been there for the taking for decades.

Mar 11, 2020 — Two series, one on each coast, and an exhibition celebrate the work of the German filmmaker and photographer.

Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...

Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.

Feb 25, 2020 — In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...

Feb 14, 2020 — Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.