The Criterion Collection
Features
Nov 7, 2019 — Two of the most spellbinding scenes in any Hollywood movie: In the first, Judy Garland, bedecked in a cinched, blue-and-white-striped dress, and topped with a long, auburn wig, sings of her longing for “the boy next door,” her adorable, ginger-peachy...
Interviews
Oct 30, 2015 — The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...
Essays
Jan 17, 2012 — At once a political epic and a radical gesture in personal filmmaking, Steven Soderbergh’s Traffic is an unexpected, unlikely triumph. It was a film that Hollywood didn’t want to make—every studio in town turned it down—that went on to secure...
On the Channel
Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.
The Daily
Jan 5, 2026 — One of France’s biggest stars took the world by storm before her reputation took a turn.
The Daily
Dec 9, 2023 — This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.
The Daily
Jun 10, 2022 — This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.
On the Channel
Mar 26, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.