The Criterion Collection
Features
Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.
Jul 20, 2017 — Director Ken Loach and his longtime screenwriting partner Paul Laverty, recipients of this year’s Crystal Globe award at the Karlovy Vary International Film Festival, speak about the complex relationship between politics and cinema.
Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.
Jun 27, 2017 — Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.
Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.
Features
May 31, 2017 — Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.
Feb 3, 2017 — Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.