In Public

Mar 31, 1991 — In Jacques Tati’s final work, the physical borders of spectacle and audience are broken down through a variety of means.

May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Mar 27, 2026 — The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.

Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”

May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Jan 1, 2021 — Along with new features from Pedro Almodóvar, Lynne Ramsay, and Todd Haynes, the new year will bring series directed by Barry Jenkins, Sofia Coppola, and Wong Kar Wai.

Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...

Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...

Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...