Sep 17, 2021 New issues of Film Quarterly and Animus and a conversation with Liv Ullmann and Jessica Chastain are among this week’s highlights.

Sep 16, 2021 As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Sep 3, 2021 Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Sep 2, 2021 Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.

Aug 30, 2021 An electrifying voice in American independent cinema, the filmmaker, artist, and DJ Ephraim Asili believes that moving images can revolutionize our perception of the world. His body of work attests to this conviction. Since he began making films more than...

Aug 30, 2021 Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.

Aug 27, 2021 This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.

Aug 24, 2021 Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.

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