The Criterion Collection
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
Production Notes
Mar 21, 2016 — 1. This week, we’re proud to release our long-awaited 4K restoration of Edward Yang’s 1991 masterpiece A Brighter Summer Day. Long unavailable on home video in the United States, this incomparable work of Taiwanese cinema is now out on Blu-ray and DVD,...
In Theaters
Jan 28, 2016 — Next Friday, Film Forum begins a weeklong run of our new 4K restoration of Antonio Pietrangeli’s 1965 masterpiece I Knew Her Well, presented by filmmaker Alexander Payne. This newly rediscovered gem, one of Pietrangeli’s most complex and enchanting works, was...
Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.
Jun 7, 2011 — Performances Despite bearing his last name and a close resemblance to him—the high cheekbones, the slightly drooping lips and prominent front teeth, the piercing yet empathetic eyes—remarkably, Geraldine Chaplin has never seemed obscured by the shadow of her iconic father,...
Aug 19, 2009 — I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....
Essays
May 12, 2008 — If ever an actor could reconcile his natural-born swagger with a kind of pervasive lethargy it was Maurice Ronet, the star of Louis Malle’s staggering psychological drama.