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Jan 23, 2026 — This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.

Jan 22, 2026 — At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.

Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

Jan 21, 2026 — New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.

Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.

Jan 20, 2026 — Joachim Trier’s sixth feature wins six European Film Awards, and Sirât takes home five.

Jan 16, 2026 — Michael Almereyda and Radu Jude’s discussion of Eisenstein, Welles, and Godard is just one of this week’s highlights.

Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.

Jan 13, 2026 — The festival lines up its Forum Special and celebrates forty years of the Teddy Award.