Get on the Bus

Dec 28, 2017 — Every year for eleven years now, at the height of list-making season, Kristin Thompson, David Bordwell, or both offer a welcome twist with an entry on the best films that have just turned ninety. This year, Thompson looks back on...

Dec 7, 2017 — Night of the Living Dead, the “multi-platform VR experience”? As Janko Roettgers reports for Variety, the virtual reality production company Supersphere and Image Ten, the company co-founded by the late director George A. Romero, are planning to turn the 1968...

Oct 20, 2017 — Back in August, a woman identified only as Robin became the third woman to accuse Roman Polanski of sexual assault, after Samantha Geimer and Charlotte Lewis. On October 3, two days before the New York Times blew the Harvey Weinstein...

Sep 25, 2017 — Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.

Sep 15, 2017 — Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...

Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Dec 16, 2016 — Did You See This? To commemorate the fiftieth anniversary of Michelangelo Antonioni’s Blow-Up, Adam Scovell visited the film’s unforgettable London locations. Another masterpiece made half a century ago is Ousmane Sembène’s Black Girl, a scathing critique of racism anchored by...

Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector

Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.