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Jul 20, 2021 Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.

Jul 19, 2021 When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 13, 2021 Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...

Jul 9, 2021 A raucous, fast-talking diva, the actor had a remarkable ability to convey both glamour and silliness, a gift that made her the queen of screwball comedy before her untimely death in 1942.

Jul 6, 2021 The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jul 6, 2021 Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Jul 1, 2021 Wong Kar Wai, Tilda Swinton, Federico Fellini, Claudia Weill, and Steven Soderbergh feature in this week’s round.

Jun 29, 2021 In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.

Jun 28, 2021 Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

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